Wednesday, 11 January 2012

CLIMB SEVERAL MOUNTAINS

'Climb several mountains. Ford quite a few streams...' Doesn't really work, does it? About as catchy as 'Romeo and Ethel the Pirate's Daughter' or 'Love's Labour's Found'.


Even old school Hollywood films like 'The Sound of Music' encourage a 'go for it' mentality that has infected modern day living, and the life of 21st century artists. Successful writers don't pump iron, they pump genius, writing fatter and fatter books, getting bigger and bigger advances. You're 'hot' or very much 'not'. Everything is absolute, everything is extreme.


None of this is very helpful when you are trying to do the actual writing. I sometimes think it's a shame that writers can't focus more positively on the 'making' phase - there is no writerly equivalent of Barbara Hepworth's wonderful garden workshop in St Ives, or the beautiful, light-filled studio where Vanessa Bell worked at Charleston.



There is obvious pleasure in the working life of the visual artist, perhaps because their output is visible and tactile. The writer's artistic process is focused more specifically on endings, on publication.

Which is relevant to my fourth suggestion for writing The Words. Don't climb every mountain. Don’t set yourself targets that can’t be sustained. Remember to enjoy yourself, even if the tools of your trade are a laptop and a mug of cooling tea.



NB 'Romeo and Ethel, the Pirate's Daughter' is taken from the screenplay of 'Shakespeare in Love' by  Marc Norman and Tom Stoppard. 'Love's Labour's Found' is a play by William Shakespeare himself. This, along with 'Cardenio' is one of his lost plays.

Tuesday, 10 January 2012

THE WRITER'S SCHEDULE


Rule number three for good time management - following on from keeping a time log and getting an overview - is drawing up a schedule.  It’s not very Emily Bronte, but once you know what you want to do, write out a schedule and stick to it.


I write my word goals in my diary and also maintain a work schedule diary on my computer with my other novel business. Try not to let it slide, but if you do, don't go into a deep decline of self-loathing. Just revise your schedule accordingly, either by setting a new deadline or (if you can take it) goading yourself on to produce a higher word count each day.

It's that 'little and often' philosophy again. And bear in mind that if you want to make writing an actual habit, it will take you 66 days to hard-wire regular writing into your life. This is according to the European Journal of Social Psychology, so it must be true.

Monday, 9 January 2012

WORD GOALS


    It's very easy to feel overwhelmed by the scale of a writing project, particularly if you are embarking on The Novel that you have been intending to write for most of your life.  The secret of success is to approach this as you would any other large project - such as moving house or changing job.
    Firstly, think about what you want to write, and what kind of timescale you are happy with. Do you want to write a novel before you are thirty? Or a screenplay by Christmas? Or six short stories in the next twelve months?

    Whatever your longer term goal, break this down into smaller component parts. How much do you want to write in a month? A week?  A day?


    My rule of thumb for a novel is two years – though Stephen King recommends writing the first draft of a novel in no more than three months. I found that writing around five hundred words a day was enough. This clocks up to 3,500 a week, 14,000 a month and 168,000 words in a year. You won’t use all of those words, but you could chuck out 80,000, and you will still have well over 80,000 words left in your first draft.

    Five hundred words a day sounds like nothing. So little it’s hardly worth bothering with. Easy to fit around just about any day job.

Sunday, 8 January 2012

THE TIME IS NOW.


Right. So here we are – 2012 has established itself and the Mayan’s did not predict the end of the world at midnight on December 21st so you can come out of your bunker now.  There is writing to be done. The first rule of good writing is to write a lot, and to write regularly, so over the next ten days I will be posting  ten rules for good time management from my chapter on The Words in How to be a Writer.  These apply even if you have started writing - January is a good month to address issues of productivity and slippage.
Rule one. Keep a time log. If you can’t work out how to fit writing into your busy schedule, then work out exactly how much time you are spending doing other things. For a week, make a note of everything you do, including sleeping, working, commuting, surfing the web, watching TV, socialising, eating, shopping, household chores, taking exercise etc. 

Don’t miss anything out – make detailed entries for one week. When you have done this, you should be able to get a picture of how you are using your time. And unless you are exceptionally busy, there will be a gap somewhere, and you will be indulging in some sort of time-wasting activity, even if it’s only looking at celebrities on the Daily Mail website.

If all else fails either get up an hour earlier each morning, or go to bed an hour later at night.
Tomorrow's tip: Setting your goals.

Wednesday, 4 January 2012

NEVER PUT OFF TILL TOMORROW...


I had thought – among a million other random thoughts – that I might recommend a Blog of the Month, but having done a bit of research there are just so many brilliant writing blogs out there that that would be too limiting. So I am just going to recommend away, in a freestyle sort of way, and suggest other bloggers who might be worth following, if you aren’t already.


First up is not an actual writing blog at all, but one dedicated to procrastination. (Respect, I say, as the poor blogger must feel doubly guilty if too much time elapses between each post.) I came across it when I was looking for my favourite poem about procrastination. It sums up perfectly the fact that procrastination is not only a state of inertia - though hell knows, that is part of the mix – it is also a state of distraction.  About which we in the modern world must know more than any other generation of humans, surely? Or then again, on the evidence of this poem, possibly not. Perhaps the art of procrastination has always been with us.
And here it is:

The Old Sailor (AA Milne)

There was once an old sailor my grandfather knew
Who had so many things which he wanted to do
That, whenever he thought it was time to begin,
He couldn’t because of the state he was in.

He was shipwrecked, and lived on a island for weeks,
And he wanted a hat, and he wanted some breeks;
And he wanted some nets, or a line and some hooks
For the turtles and things which you read of in books.

And, thinking of this, he remembered a thing
Which he wanted (for water) and that was a spring;
And he thought that to talk to he’d look for, and keep
(If he found it) a goat, or some chickens and sheep.

Then, because of the weather, he wanted a hut
With a door (to come in by) which opened and shut
(With a jerk, which was useful if snakes were about),
And a very strong lock to keep savages out.

He began on the fish-hooks, and when he’d begun
He decided he couldn’t because of the sun.
So he knew what he ought to begin with, and that
Was to find, or to make, a large sun-stopping hat.

He was making the hat with some leaves from a tree,
When he thought, “I’m as hot as a body can be,
And I’ve nothing to take for my terrible thirst;
So I’ll look for a spring, and I’ll look for it first.”

Then he thought as he started, “Oh, dear and oh, dear!
I’ll be lonely tomorrow with nobody here!”
So he made in his note-book a couple of notes:
I must first find some chickens” and “No, I mean goats.”

He had just seen a goat (which he knew by the shape)
When he thought, “But I must have boat for escape.
But a boat means a sail, which means needles and thread;
So I’d better sit down and make needles instead.”

He began on a needle, but thought as he worked,
That, if this was an island where savages lurked,
Sitting safe in his hut he’d have nothing to fear,
Whereas now they might suddenly breathe in his ear!

So he thought of his hut … and he thought of his boat,
And his hat and his breeks, and his chickens and goat,
And the hooks (for his food) and the spring (for his thirst) …
But he never could think which he ought to do first.

And so in the end he did nothing at all,
But basked on the shingle wrapped up in a shawl.
And I think it was dreadful the way he behaved -
He did nothing but bask until he was saved!

I grew up with the poems of A.A. Milne, read to me by my Dad in battered old 1930s editions, and this takes me right back to my childhood. I was quite unsurprised by the antics of the Old Sailor, as I was by all adult behaviour, as I just considered that these were unfolding aspects of the Grownup World. And I liked him a lot. I wasn’t too young to see in him a kindred spirit.
The blog is  http://procrastinus.com/the-procrastinus-blog/http://procrastinus.com/the-procrastinus-blog/ and it’s written by Piers Steel, one of the world’s leading researchers and speakers on the science of motivation and procrastination, and a professor at the University of Calgary. This is surely a man who can teach us writers a thing or to about why we are cleaning behind the radiator when we should be writing Chapter Three.


Monday, 2 January 2012

NEW YEAR, NEW YOU?

One of my favourite quotes from still-fab-though-nearly-ubiquitous Miranda Hart is: "I'm beginning to think the new me is significantly worse than the old me!"  Excellent post-New Year point - it's very tempting to awfulize the old you in a bid to stake out new territory for the new one. But actually, writers (and humans, their close relations) are an on-going mess of perpetual imperfection.


So instead of thinking about all the bad things I did in 2011, with the oceans of Peroni/Tempranillo and mountains of Kettle Crisps (Lightly Salted) at the top of the list, I am thinking instead about all the words I actually wrote, and the more than a dozen times I really did jog round Queen's Park, in real life.


In this spirit, today I wrote in my new journal - five pages, let me tell you - but on January 2nd, not the 1st. Nothing anal about that.  And while I have stopped drinking for a month - which is going to hurt - I ate a Ripple bar about an hour ago, all casual and guilt free.

And so, this is my first official post on How to be a Writer for this year. Rule one - and thought for January. Don't expect too much of yourself. This means getting away from your desk and looking at the world, and feeding your imagination and your emotions. (There is a good reason why writers and booze go together like 'pina' and 'colada', and that's the fact that over-sensitivity is part of the writing psyche. Factor this in. No point torturing yourself if everyone else has already stuck the boot in.)

Yesterday I walked along the Brighton seafront in the mist and rain and drank tea in Hove. Today I went to Brighton art gallery and looked at Victorian children's corsets - yes, they really did exist - and the tools of a 21st century plastic surgeon's trade. Not for any reason, just randomly.









Thursday, 29 December 2011

AND SO FAREWELL, 2011...

I've come to realise that the more of a passive/over indulgent slump I am enjoying, the more unrealistically optimistic I am about my future levels of productivity/general slimness.

Mode of the moment is Extreme Focus re. my PhD thesis, the current equivalent of creative writing in my life, and Extreme Statis re anything to do with the body beautiful thing. Nearly went swimming today, and had to have a large cappuccino and a lie down to get over it.

So this means that while I am circumspect about my writing goals, I am madly looking forward to a skeletal 2012. Apart from being fabulously thin, I will also be posting each week with advice and ideas relating to How to be a Writer

As for my advice for fellow scribes: read something brilliant. My recommendation of the moment is a fantastic non fiction book which I am reading for my thesis but will appeal to anyone interested in imagination and identity: A face to the world by Laura Cumming. It's about self portraits and what they do and don't tell us about the artist. Great illustrations, too, if you are in mood for skimming.




And so, farewell 2011 - and a Happy New Year to all imperfect writers...


Thursday, 22 December 2011

IT'S A WONDERFUL WRITING LIFE

Last post before Christmas.  Watched 'It's A Wonderful Life' to get into the festive spirit, and it reminded me that the best Christmas stories are about fear and anxiety, from 'The Little Match Girl' to the bit in 'Love Actually' where Alan Rickman is furtively buying a necklace for his mistress and Rowan Atkinson is overdoing the gift-wrap. Arguably, the original Christmas story in St Luke's gospel does the same job - re. anxiety, not gift wrap.




It's always more challenging to write about happiness than unhappiness. Misery loves company, and stories love misery. Or anxiety. And from this you can segue interestingly to eventual change/redemption/relief/euphoria. Phew.



Happy Christmas!

Wednesday, 21 December 2011

Keep Buggering On

There is nothing wrong with New Year Resolutions apart from the fact that they are a complete waste of time. Perhaps the only reason they have any currency at all is that they make us feel vaguely positive while we mire ourselves in chocolate, booze and carbs over the Xmas season, lolling on our own flesh in front of some mindless TV re-heat starting Celebs We Are Sick Of. Somewhere, up the road ahead, there is a better person: thin, teetotal and goal-driven.

Which is why I am writing this on December 21st, not January 1st. Make a fetish of the New You, and it's harder to carry on, the Old You having had so much more experience.  Don't try and be perfect; save your energy for writing. Rubbish people do write good books. (Arguably, all good books are written by rubbish people.)

Getting started is essential, as I mentioned in the last post, as is the ability to moderate your expectations (your first words will be shit, as Hemingway promised). But one of the unsung skills of any writer in the war against atrophy is the ability to Keep Buggering On, in the words of Winston Churchill.


I'll be returning to this theme next year, as part of the Edited Highlights of my book 'How to be a Writer'. But just a few thoughts on this now. Keeping Buggering On is not dramatic, does not make for  an exciting biopic and does not involve a. throwing your typewriter out of the window or b. shooting anyone. It does involve working a lot, being patient, listening to feedback that you don't like the sound of and being slightly nice to yourself.

Keep Buggering On when you are writing and you will write the best possible book. Keep Buggering On when the best possible book needs a publisher and you stand the best possible chance of finding one. On any day of the year. Of which, more later.




Monday, 19 December 2011

THE HABIT OF WRITING

This blog is about all aspects of the 'how to' of being a writer', and there is lots of advice out there about the 'how to' of doing the writing itself. But that doesn't mean I can't talk about doing the writing itself - this is what Being a Writer means.

The everdayness of writing is important. If you buy a notebook tomorrow and decide to write in it every day, by the time you fill it up it will have quite a lot of 'you' in it, and quite a lot of things that you didn't know you thought. Writing isn't a mechanical process during which you commit pre-existing thoughts to paper, or rather, this is only one aspect of writing. More often, it's a mental and mechanical process, during which ideas appear in front of you which you didn't know you had. They are formed both physically and imaginatively. Human beings are weirdly over-conscious mammals, and writing is an expression of this.

Virginia Woolf said: 'What one wants for writing is habit'.



Ernest Hemingway said 'The first draft of anything is shit'.



Samuel Beckett said: 'Ever tried. Every failed. No matter. Try again. Fail again. Fail better.'




Put these three quotes together and you get a pretty good route map. The first draft is just that. If  it feels like hard work, take notice of  Ms Woolf.  If it feels like rubbish, you are in the same club as Hemingway. And if you're failing, follow Beckett's lead and fail better.

As for 'habit', the best advice I ever heard was to write every day, for five minutes a day. Starting is everything. If you start, the chances are you will carry on for more than five minutes. But everydayness is vital, till you get down that first shit draft, and have something to work with.

Friday, 2 December 2011

HOW TO BE A BLOG WRITER

Aha, I have detected a flaw in this blog. It doesn't tell you how to be a writer. Two reasons for this - or maybe three. Number one: it's complicated. Number two: where to start, blog-wise, having written a whole book on the subject? And number three - I am blog-phobic. It's the style of writing I am least comfortable with. Blogs are not diaries (weird, introspective, libellous, insane), but neither do I think they should be press releases, a constant dribble of PR about "I, an Author". (Boring, tiresome, witless, inane.) So I grind to a halt, wondering who reads this stuff anyway, worrying about Wrong Notes and sounding too negative or too smug, or as if I am being overly self-conscious about either of these things, and so...

Anyway, I have put all this behind me now. Strictly professional. I have the book to hand, and I'm about to give you some excellent advice, in bite-size chunks, and really do please feel free not to buy the book, or, if you do, not to put an excellent review on Amazon.




Hilary Mantel wrote "Wolf  Hall", I heard her say recently, because it was the book that didn't exist that she wanted to read. On a slightly less high-flown level, I wrote this book because it was the book that didn't exist that I needed to read.

In 2004, I was Published for the first time, which seemed like it ought to mean something, this being the pinnacle of my ambition. But I was isolated and confused. I was waiting for someone to sprinkle fairy dust on my life (as if I was a Pippa Middleton table setting) but there was no fairy dust in sight. I wanted to be a Writer, not just someone who was published by accident. I needed help.

And so a few years later, I set out to write a book that would offer the friendly guidance I hadn't had when I started, and which had taken me years to find. Which is why the book is about "being a writer" not "doing the writing".

Not because I don't care about writing myself - I care more about this than any other part of the Writing Life - but because I know from experience that finding your neutral space is easier if you aren't in a state of sheer, blind panic or the Pits of Despair, the habitat of all too many writers.

Friday, 18 November 2011

Novel approaches to history

Right, so today I went to a conference about historical fiction and learned quite a lot, not least of which being that my book might/should hold its own in this field, which is cheering. But as usual with these things the whole area is Dogged by Definition.

For instance: how do you define "historical fiction"? What differentiates a historical novelist from any other sort of novelist telling a fictitious tale set in the past? What is a Fact, and how it it pinned down? (Like a butterfly on a board?) Does the imagined truth of fiction take us to places that the "proven" truth of historians cannot go? To what extent are historians story tellers anyway? To what extent are myths false, and to what extent do they illuminate the way?

All of which related to my own story about the Dark Lady Myth, the idea that Shakespeare wrote his most violently emotional sonnets to a mysterious femme fatale, in a state of morbid sexual despair. And here is a Nicholas Hilliard portrait that may or may not be one of the possible Dark Ladies, my heroine Emilia Bassano:




Ate biscuits, ingested caffeine, listened and scribbled, did not ask any questions. I think I feel, like many writers of historical fiction who are not historians, that I might be found out. And yet, the most inspirational speakers were those in exactly this same position: Hilary Mantel and Stella Tillyard. And in the coffee break talked about the politics of maps, and maps that lie... Absorbing in a way that things can only be when you feel a story brewing.

Oh and the conference was this: http://www.history.ac.uk/historical-fiction

Sunday, 13 November 2011

WRITE NOW...

Yes, write now. This is the advice that is so easy to dish out to other people, and indeed I DO dish it out to students on a regular basis. But then find I'm not filling my notebook with random bits of observation, reflection, jollification etc as I should.

Why is this? The idea that what gets written down is a commitment of some kind? That what I might think is not "good enough" to be jotted down in indecipherable scrawl?

Or that it's impossible to dredge up one item from among so many half thought bits of mental flotsam, so that it's best to leave it all mixed up together, in some forgettable, inchoate mess, because it's unfair to pick one idea and not another? I honestly don't know.



Even this blog suffers from this, my mistaken notion that I'm not quite up to it at this particular moment. It's like saving all your nice clothes for the day that you are beautiful and skinny enough to deserve them, and spending all your actual life in preparatory joggers. So this is what I have so say, right now.