Wednesday 11 January 2012

CLIMB SEVERAL MOUNTAINS

'Climb several mountains. Ford quite a few streams...' Doesn't really work, does it? About as catchy as 'Romeo and Ethel the Pirate's Daughter' or 'Love's Labour's Found'.


Even old school Hollywood films like 'The Sound of Music' encourage a 'go for it' mentality that has infected modern day living, and the life of 21st century artists. Successful writers don't pump iron, they pump genius, writing fatter and fatter books, getting bigger and bigger advances. You're 'hot' or very much 'not'. Everything is absolute, everything is extreme.


None of this is very helpful when you are trying to do the actual writing. I sometimes think it's a shame that writers can't focus more positively on the 'making' phase - there is no writerly equivalent of Barbara Hepworth's wonderful garden workshop in St Ives, or the beautiful, light-filled studio where Vanessa Bell worked at Charleston.



There is obvious pleasure in the working life of the visual artist, perhaps because their output is visible and tactile. The writer's artistic process is focused more specifically on endings, on publication.

Which is relevant to my fourth suggestion for writing The Words. Don't climb every mountain. Don’t set yourself targets that can’t be sustained. Remember to enjoy yourself, even if the tools of your trade are a laptop and a mug of cooling tea.



NB 'Romeo and Ethel, the Pirate's Daughter' is taken from the screenplay of 'Shakespeare in Love' by  Marc Norman and Tom Stoppard. 'Love's Labour's Found' is a play by William Shakespeare himself. This, along with 'Cardenio' is one of his lost plays.